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1.- “Ven bailar Carmiña / Maruxiña” is a musical arrangement created for A Nosa Partiteka from two traditional melodies collected in the...
Option 1
Cancioneiro Español de Eduardo López.
Option 2
Cancioneiro Galego de Jesús Bal y Gay e Eduardo M. Torner.
Option 3
Cancioneiro Musical de Galicia de Casto Sampedro.
Correct Option
2.- O Cancioneiro Galego was a project to collect popular Galician melodies that...
Jesús Bal y Gay & Eduardo M. Torner made between 1928-1936.
Casto Sampedro & Eduardo M. Torner made between 1920-1930.
Jesús Bal y Gay & Casto Sampedro made between 1820-1830.
3.- The main feature of the Galician Songbook (Cancioneiro Galego) is...
the work of dating and harmonizing one hundred melodies of Galician folklore, mostly unpublished, written in both Galician and Spanish.
the work of research and compilation of a thousand melodies of Galician folklore, mostly unpublished, written in both Galician and Spanish and "castrapo".
the work of correction and improvement of ten thousand melodies of the folklore of Galicia, for the most part unpublished, written both in "castrapo".
4.- The importance of the Galician Songbook (Cancioneiro Galego) lies in the fact that...
it rescues many ancient pieces of music, offering us the chance to get to know them and continue their transmission from generation to generation.
it rescues many ancient books, offering us the chance to get to know them and continue their transmission from generation to generation.
it rescues many ancient movies, offering us the chance to get to know them and continue their transmission from generation to generation.
5.- The two melodies from "Ven bailar Carmiña / Maruxiña” are:
“Ven bailar Carmiña”, melodía número 008 e “Maruxiña meu amor”, melodía número 44.
“Ven bailar Carmiña”, melodía número 268 e “E pra que non digan” (Maruxiña), melodía número 441.
“Ven bailar Carmiña”, melodía número 400 e “O Meu amor” (Maruxiña), melodía número 001.
“Ven bailar Carmiña”, melodía número 268 e “E pra que non digan” (Maruxiña), melodía número 441
6.- The time signature in the first melody (Ven bailar Carmiña) in our arrengement is é:
2/4 binary rhythm, combined with a 3/4 ternary rhythm, and andante and dancing tempo.
2/4 binary rhythm, combined with a2/8 binary rhythm. Tempo lento.
3/8 ternary rhythm, combined with a 4/4 quaternary rhythm.Tempo presto.
7.- The time signature in the second melody (Maruxiña) in our arrengement is:
2/4 binary rhythm. Tempo presto.
4/4 quaternary rhythm. Tempo lento.
3/4 ternary rhythm and beat with a andante and dancing tempo.
8.- The main Keys in the first melody (Ven bailar Carmiña) in our arrengement is:
combines the key of A Major (Verses) and F minor (Chorus).
combines the key of C Major (Verses) and C minor (Chorus).
combines the key of E Minor (Verses) and D minor (Chorus).
9.- The main key in the second melody (Maruxiña) in our arrengement is:
F minor, 1 flat (Sib) & last chord (Fm).
C Major, last chord (C).
G Major, 1 flat (Sib) & last chord (G).
G Major, last chord (C).
10.- The sencond melody in our arrengement (Maruxiña) is classified as “diálogos e enchoiadas”. An “enchoiada” is:
a poetic-musical dialogue between a young man and a young woman, who alternately sing improvised songs to test their ingenuity.
dancing between a boy and a girl, who jump alternately with impromptu steps to test their ingenuity.
fight held by a boy and a girl, who alternately throw sticks to test their strength.
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